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・ Live at Last (Anastacia video)
・ Live at Last (Bette Midler album)
・ Live at Last (Black Sabbath album)
・ Live at Last (Enchant album)
・ Live at Last (Steeleye Span album)
・ Live at Last (The Charlatans video)
・ Live at Last (The Slickee Boys album)
・ Live at Last Tour
・ Live at Leeds
・ Live at Leeds (disambiguation)
・ Live at Leeds (festival)
・ Live at Leeds (John Martyn album)
・ Live at Leeds (The Rolling Stones album)
・ Live at Leeds 2007
・ Live at Legends
Live at Les Cousins
・ Live at Lincoln Hall
・ Live at Llangollen
・ Live at Loch Lomond
・ Live at Lollapalooza 2003
・ Live at Lollapalooza 2007
・ Live at London Astoria 16.07.08
・ Live at London's Talk of the Town
・ Live at London's Talk of the Town (The Temptations album)
・ Live at Long Beach City College
・ Live at Looney Tunes
・ Live at Looney Tunes (From Autumn to Ashes album)
・ Live at Looney Tunes (Kevin Devine album)
・ Live at Low End Theory
・ Live at Luna Park


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Live at Les Cousins : ウィキペディア英語版
Live at Les Cousins

''Live At Les Cousins'' is a 1996 double live album by English folk/rock singer-songwriter Roy Harper.
== History ==

The album was recorded in Les Cousins, a folk and blues club in the basement of a restaurant in Greek Street, in the Soho district of London, England. The club was most popular during the second British folk revival of the mid-1960s, and was notable as a venue in which musicians of that period met and learnt from each other. It was influential in the careers of numerous artists; Harper himself describing it as "a spawning ground".〔(BBC article on Roy Harper )〕
On the night 30 August 1969, EMI brought their equipment to record Harper's performance as he felt one of his songs ("I Hate The White Man") needed to be recorded live to capture the full essence of the song. The track was included on his 1970 release, ''Flat Baroque and Berserk'', however the rest of the recording remained in the archives of Abbey Road Studios for nearly 30 years. This album makes available the four reels of tape found (an almost complete recording of the concert) and includes Harper's commentary between the songs.
The album is notable for being the earliest known live recording of Harper,〔(Album information from artists website )〕 for capturing Harper and the audience "in a mood (and mindset) typical for the period" and, according to AllMusics Brian Downing, it shows Harper "coming out of his Jansch-inspired, neo-Dylan period into his more progressive, acoustic one".〔(Folkblues review of Harper's earliest live recordings )〕

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